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YOUR REAL VOICE - the vocal ezine for real people

June 16, 2005    #5

FEATURE EDITORIAL

The Human Singing Lightening Rod!           

Let's pick up where we left off last time in our discussion and experimentation with RESONANCE.  The more you resonate, the better you sing.  In the last issue, I defined resonance for singers as aiming sound waves at a hard surface with a hollow behind it so that the sound bounces around and multiplies.  Now we are going to add another scientific concept to that to really supercharge your singing within your own body.  We are going to use a lightening rod as our model for this new idea of resonance. 

A lightening rod extends up high into the air, but also is anchored deep into the ground.  When the lightening strike hits the rod, the electrical charge travels down the rod, and is "grounded" in the dirt so that it both dissipates the charge and keeps it from traveling around out of control and destroying things.  What a positive idea to map onto the voice??!?!?!  OK, so I am not saying the voice destroys stuff, (but if it does, www.Sing-In-Tune.com has just the thing to fix that!)  But I am saying that harnessing all your vocal energy charge and using your body to ground it is a GREAT thing.

Here's how it works in your body:
Your main resonating chambers are in your upper chest and head, but your skeleton extends throughout your body, especially down to the floor.  Your skeleton also supports your whole body, and continuously connects things all the way from your head to your feet.  It's everywhere we need it to be to resonate. The rest of your skeleton, separate from the resonating chambers, has much more bone mass, so there is a lot more bone available to bounce the sound around on.   If the muscles around the bones are relaxed, the bones will resonate with sound, even though they are supporting your body.  Your body energy flows continuously throughout your whole body, but is mainly sourced from your torso.  The area between your upper chest and tailbone is where all your energy comes from.  What we need to do is set up the right physical conditions to take advantage of all that free energy floating around and all that bone available to rattle.

Stand up tall with your knees slightly bent and feel your body weight on the big muscles in the front of your thighs.  Imagine that the bones in your legs extend all the way down into the ground, and really feel yourself planted, solid like a tree, on the spot where you are standing.  Sing something and aim it forward onto the bones at the front of your face and upper chest.  Once you feel these bones resonate, keep singing and aim the sound down your bones into the ground.  Keep singing and aiming, and relax your body as much as possible while you sing so that you feel the sound travel down your bones.  Now pick something to sing that you can really get into.  Feel all the body energy in your torso, and really let it rip.  Get into singing the song as much as you can.  Send the sound all the way down your bones into the floor and let all the energy go into the voice.  The more solidly you "plant" your legs under your body weight and harness your body energy, the more you can "let go" with the voice. 

I'd love to hear some of your results from these resonance experiments.  Send me an email of your success stories!   If this is something you are trying for the first time and have questions or are unclear about any part of it, please email us at info@sing-in-tune.com

YOUR REAL VOICE is the best vocal e-zine for real people!  It is a FREE biweekly newsletter that is jam-packed with  hot stuff on all things vocal, no matter what styles of music you are into.  If you would like to sign up for this newsletter, here is the link to the sign up page.

Contact Athena by e-mail at info@sing-in-tune.com or learn how to sing perfectly in tune at her web site at www.Sing-In-Tune.com


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